Paul Hesse:
Early Color, Commerical, Hollywood and Lenticular Photographer
Dec 12, 1895 - Nov 17 1973
77 years old
1953 Paul Hesse 3D photographer
Paul Hesse and Marlene Dietrich from the collection
of Susan Pinsky and David Starkman-Colorized
1953 Kiss Me Kate with Kathryn Grayson and Howard Keel lenticular taken by Paul Hesse
1953 Charge at Feather River with Guy Madison and
Helen Westcott lenticular taken by Paul Hesse
1953 Money From Home Dean Martin and Jerry Lewis lenticular
by Paul Hesse 1
1934 Claudette Colbert In Cleopatra
by Paul Hesse
1982 Teresa Wright and Louis Nye Sept
by David Starkman
1942 Paul August Hesse WWII Registration card
1941 Baltimore Sun MD 31 Aug - Five Photographers shoot
Teresa Wright 31 Aug 1941-Colorized
1942_11_28 Salt Lake City Tribune UT - Elyse Knox
wife of Paul Hesse-Colorized
1953 Jack Palance and Joan Fontaine in 3D film Second Chance lenticular by Harvey Prever and Paul Hesse
1954 Rose Marie film with Jeannette McDonald and Nelson Eddy by Paul Hesse and Harvey Prever
1996 NSA Rochester NY Walter Sigg with his lenticular images
by Susan Pinsky
1954 Jivaro film with Fernando Lamas & Rhonda Fleming - lenticular image by Paul Hesse and Harvey Prever
1953 Fort Ti with George Montgomery and Joan Vohs
1952 Paul Hesse and Irene Dunne at Hollywood 3D club -Colorized
1952 Hollywood 3D club by Jerry Holscher Los Angeles, CA 17 - Colorized
1952 Hollywood 3D club by Jerry Holscher Los Angeles, CA 4 - Colorized
1953 Those Redheads from Seattle with Rhonda Fleming and
Gene Barry by Paul Hesse and Harvey Prever lenticular
Nude by Paul Hesse and Harvey Prever lenticular
John Wayne with Stereo Realist camera
by Paul Hesse and Harvey Prever lenticular
Nude woman 2 by Paul Hesse and Harvey Prever lenticular
1953 Money From Home with Dean Martin and Jerry Lewis 2
by Paul Hesse and Harvey Prever lenticular
1953 Daily News New York NY Jan. 25 - Bob Hope, Arlene Dahl, Fernando Lamas and Paul Hesse judging - colorized
1989_08_14 Harvey Prever's 20 lens camera by Susan Pinsky
1953 Fort Ti with George Montgomery, Phyllis Fowler
and Joan Vohs by Paul Hesse and Harvey Prever lenticular
Gorilla hand and woman in red with changing image
by Paul Hesse and Harvey Prever lenticular
1953 Fort Ti with George Montgomery and Joan Vohs in canoe
by Paul Hesse and Harvey Prever lenticular
1953 Those Redheads from Seattle with Teresa Brewer,
Guy Mitchell, Cynthia and Kay Bell
by Paul Hesse and Harvey Prever lenticular
Paul Hesse Studios in West Hollywood, Calif L to R: Joan Pearson, John Kelly, Don Hesse, Wallace Seawell, Mario Casilli, Paul Hesse and Glenn Embree - colorized
1953 Jane Wyman and Paul Hesse - colorized
1953 Beverly Hills Stereo camera club with Paul Hesse-Colorized
To learn more about lenticular imaging:
"3D and Animated Lenticular Photography - Between Utopia and Entertainment"
by Kim Timby
20 lens camera by Susan Pinsky
1947 Still Photographers Award magazine article - judged
by Paul Hesse Karl Struss and one other - Colorized
1947 Still Photographers Award magazine article p. 2 - judged by Paul Hesse Karl Struss and one other - Colorized
Paul Hesse History
Paul Hesse was born in New York City. While attending Pratt Institute he experimented with photography.
After World War I he became a poster illustrator, but grew impatient with its time-consuming aspects. After reading all the photography books in the New York Public Library, he set out on a photographic career.
In the mid-1920s, he established a successful commercial photography studio.
Later he resettled in Los Angeles, where his Sunset Strip studio became a gathering place for advertising and motion picture industry notables.
He made a name for himself from the 1930's with stunning color photography, in advertising, portraiture and commercial photography.
In the 1950's he became active in the field of 3-D photography, becoming part of the Hollywood Stereo Camera Club.
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Around the time of the 3-D movie boom of 1953 Hesse acquired several OP3000 and OP20 lenticular 3-D cameras made by the company of Maurice Bonnet in Paris, France. He also acquired the master plates to make the matching lenticular screens needed to go with these cameras. He partnered with Harvey Prever (who is also on this 3-D Legends web site) who had many years experience working with lenticular 3-D Cameras. Together they took many 11" x 14" and 8" x 10" back-lit lenticular transparencies to be used as publicity photos for the 3-D movies that were being made at the time. We have done our best to capture 3-D stereo pairs from these lenticular images, and are pleased to be able to show them in this section of 3-D Legends.